
β¦β¦.π₯π₯π₯π₯Animaπ₯π₯π₯π₯β¦β¦..
This vision cannot be enacted unless archetypal persons strike us as utterly real. To experience imaginal reality, a psychic function–the specific function of the imaginative soul–must be active. This soul person is the person of our moods, self-reflections, and reveries, of our sensuous longing beyond the sensately concrete, the spinner of fantasy who is the personification of all unknown psychic capacities that lie waiting, drawing us seductively, uncannily inward to the dark of the uncut forest and the deeps below the waves. Anima means both psyche and soul, and we meet her in her numerous embodiments as soul of waters without whom we dry, as soul of vegetation who greens our hope or blights with symptoms, as Lady of the Beasts riding our passions. She is father’s daughter and mother’s daughter, and my sister, my soul. She is also a worrying succubus drawing off our life’s juice, a harpy with talons, a cold white wraith with mad addictions–but a nurse as well, and a serving maid, a Cinderella nymphet, vague with no history, a tabula rasa waiting for the word. And she is also the Sophia of wisdom, the Maria of compassion, the Persephone of destruction, compelling Necessity and Fate, and the Muse.
The multiplicity of her forms in fictions and lives, and the intensely personified and intensely subjectified reality of her nature, bespeak a world into which she calls and over which she rules.
James Hillman