⚡️Oh the irony of swimming in an electricSea Of hectic memes and desperate screams Stepping into the trap that breeds A virtual prison of 1-2-3-a-B-c What I mean What I deem to be Imperative in this sterile fib Is unplugging from the falseCollective Masks that grasp the seed of inception Wrap minds in images meant for assimilation
This tribulation is scripted The prescription for complicity Is terrified ambiguity Masquerading as ingenuity In making it through this mess And somehow feeling blessed To have uploaded ones mind into a Hive Grateful that nature shall Survive To see her fruit trapped Zapped inside mapped out lives Homogenized and socialized into mediocrity
I saw this all in Aeons of Dreams Played it all out and rode the seams And still i'm slightly shocked At the rapidity Of the begging idiocy Demanding protection from the very blood We bleed That keeps us human Instead of a machine
The chessboard squares itself In 64 places The spaces between I Ching codon rings and DeoxyRiboNucleousity Drenched in disHarmonic frequency Quenching curiosity and breeding hypocrisy Oh what a world we meet When we lose ourselves to the SmartScreen And forget to walk on earth with our feet
You Are a Seed. Will you be Fallow? I Hug the wombMother who nurtures me And vow to remain her child that bleeds Vow to remain Wild like the weeds And stormy seas The dirty electricCity that rapes my genes Shall be one more take in one more scene the adventure is infinite And so are we
🔥🦂🔥:::WordsJustCameOutWrong:::🔥🦂🔥 (AfterFace of volume 6)
I like to say Words are Worlds......Words are also Wounds and Wounds are Worlds....and if we are perfectly honest, All Worlds are Wounds. And I am unraveling my World as I unravel my Wounds. I have been Wound so tightly around a core of Intensity, and overwhelming personal psychic interrogation for my entire life, that I have produced a ridiculous amount of Words in various forms, either to Cover over the Wounds or to Unwind the Covers. I am unsure which. A bit of both. But In diving back into the World Contained in this Tome of descent…..I have been reliving the emotions and confusions and I am emerging from this ritual as if from a Tomb. Yes, Words are Also Wombs.
My Words are often the result of entering the Portal of Some Other, either in the waking world or in the vast internal realms I inhabited. I have always lived mostly inwardly, with a rich and sometimes disastrous inner life. Some of these poems are written from the perspective of the many battling inner realities within me, with no mirror in the physical world. I have always been submerged in what I call 'Bleedthru-s of Other Lives'……Psychic fragments and scars and emotions from Characters I have played before in other timelines, seeping right through my seams. My inner realities have always been more solid and real than my outer reality. Some of the poems are written from my own witnessing of friends dramas etc, and writing from the perspective of the players in those games. Some are archetypal expulsions of raw material suffocating me endlessly. But most are mirrors of some outer reality. My protean obsessions and compulsions always dragging me one way or another. The repetition of the theme of Love and Pain and Misery and Darkness and bitterness. The depth of my own emotional life was never expressed to any person in those years, in fact, that theme has held for my whole life. I have always turned my psychic and emotional disintegration into Art. Not because I don't trust people. But, I believe, I learned way back then…and find it still true today…that most people do not feel as deeply. Are not so completely consumed by passing moods or inner landscapes and are not so tangibly sculpted like putty by their inner reality. Those who are, have left behind all the great Art and Writing and Inventions of our Collective World Stage. Or they have drowned themselves in addictions because there was no way to silence the Demon, and there was no leap from the abyss to follow the Daimon into Alchemy, instead of suffering the excesses that Demons love so much. Or they have been given any number of psychiatric labels and then pharmaceutically numbed out of life or locked away instead of facing the abyss head-on. Or they have simply, chosen Death head first.
"Thus I draw from the absurd three consequences, which are my revolt, my freedom, and my passion. By the mere activity of consciousness / transform into a rule of life what was an invitation to death-and I refuse suicide." (Albert Camus)
Mostly, people try to commiserate, if I actually let out some of the depth of what I am perceiving or feeling or living, or what I am making flesh. I have often responded, that if they felt and saw and bore what I bear, relentlessly, they would be, like me, forced to alchemize it in some way or to destroy themselves. The kind of charge, the voltage of energy I am talking about, constantly pressing in upon me, is not the kind of fire or electricity that can be safely tucked away behind a netflix series, or a bottle of wine, or endless shopping, or endless socializing, or even hobbies. It cannot be stored in a back room and allowed out when appropriate. It cannot just 'wait til a better time' to make itself known. If someone is able to 'basically get on with their life' by drowning out the voices in any number of ways, they are not in the heat of the kind of flames I am talking about here. One may say that it is the human condition. Yes, in many ways it is. But it is a particular condition that only some people choose to incarnate into here in the Playground. It is a particular wiring, a certain blueprint. And they either learn to dance with it, and create great beauty or alchemize it in some way, or they destroy themselves and others completely. I do not believe there is any middle ground. Not for this initiation. Nothing about this kind of intensity allows for a 'normal life'.
We don't know that when we are young, however. We think if we just condemn ourselves enough for our Inner Fire, we will eventually settle into some typical way of relating to Self, in a controllable world of other people doing people-y things. We think if we just stop doing A, B, or C, or if we just Try Harder to be setted and content within our skin, we will alter the program. If we just make up a bunch of rules for ourSelf and stick within them, or follow someone else's rules of virtue, we will be free. But I have learned over and over, that there is something innate to certain people that will never allow for that. There is an inner prod that has no care for our human proclivities or our body's limits. It will not let us rest. Every moment is lived in absolute Intensity, whether that be the heights of the Manias we find ourselves in, when the blood is quickened within and we are a tornado of exuberance and god-like arrogance behind a bright and radiant smile of possibility. Filled with endless ideas that stream out like a broken water pipe and saturating everything and everyone in the vicinity. Or when Icarus' waxen wings melt and he falls from the sky in a dramatic display of descent back to Saturn's humus, humbled by the tumble from the lofty perch of our own ideals and effulgence.
What else but absolute obsession can make a person spend hours upon hours upon hours of days upon days upon days upon weeks and months and years focused on bringing to life some particular little nuance of their perception and participation in AllOfit. The Daimon drives us. And not All of our Daimons are playing the same game. And I have, after 44 years in the Playground, found a way to dance with that realization. It no longer destroys me and everyone in its path. I know a great many people afraid of being hurt, in Love. I am bass ackwards. I am not afraid of being hurt. I am incredibly reluctant at this point, to allow another to be hurt by me. I saw these patterns even back to this earliest poetry and was aware of the various warring selves within me. The Fire warms but also burns. It lights up a room but also sucks all the oxygen out of the air. Not all things and beings can handle the heat and intensity of a Being who is able to exist only at full throttle. At least not in close proximity for any length of time.
I have learned to create vast amounts of Space for myself, and vast amounts of Time for myself, to make of my life a sanctuary where I am fully aware of my strengths and weaknesses, and thus able to now use my gifts in Service, and minimize any fallout from my own perpetual emotional instability....(which all things considering, is very mild compared to the bulk of the prior 30 years).
A testament, these 600+ poems are, to the desperate restlessness of an unfolding psyche, that could only vaguely intuit, at the time, what lay right around the corner. It was only one full year later that the major confrontation with Self and the dissolution of everything I had begun to believe was me, was to take place. (See Volume 5)
I see in these poems all the foreshadowings that came to delineate the myths of my life, in germinal form. I have simply unfolded the tapestry through time. And now, as a ritual release, and as a precursor to Drawing My Stories on the Skin of this World, these Words Made Flesh are the final recapitulation of a long Poetic journey that has led me to this point in time. And I am casting off the garments of the old life, again, this time to be born anew without carrying the weight of these juicy nuggets of my Living Experience screaming into my psyche constantly, to be birthed into Flesh. Word Made Flesh. So Blessed. This Journey.
"Every time I tried to tell you, the words just came out wrong, so I'll have to say I love you in a song"
I'll have to Spell it out in Rouge, the Red from the blood thatl bled as birthed myself anew
"There's something that I just gotta say, I knew you'd understand…...”
Charleen Johnston 3-6-2025
"Words are like pillows: if put correctly they ease pain."
Time Sculpts Space Into Tender soft Penis Warm Tired Worm Tenderized As a an Old Self Returns to innocence
prepares to receive new blood in new wombs as newborn babes with new soft worm, Warm germ in all beings
Til Shakti dances circles ‘Round Shivas slumber Forcing Him to reMember And the rising fu(h)ror Of Hard stone phallic pillar of eager thrust into a new dawn of being
Awakens
Full of Rapture And forces into full Stature
a Seeding Self
Aching to Penetrate The Mysteries Of The Primal Dark Her Who Holds the Stark Contrast Of His Force
Volume 6 of Linguistic Trickster spans the time-frame of May 1996 through the end of 1998. This two and a half year period of my life has been the toughest to revisit in many ways. I was 15 1/2 when the poems begin, and have just turned 18 by the end of the period. Most of the poems are not amazing in themselves, as works of art. There are a few gems in there, and a few remain to this day some of my favorite pieces. But as a prolific autobiographical record of my own inner life they are precious to me, and I am so grateful to have the written residue of my young flailings, as hard as it is to read through them now, by the sheer force of their primal raw manic and disturbed inner confusions and contradictions. It is clear in hindsight that with the rise of puberty (I was a late bloomer and matured physiologically much later it seemed than most of my friends and peers) came an intensification of the Moods and Restlessness that had always haunted my extremely emotional and sensitive temperament. I doubt that most who knew me in those days would have guessed at the dark tempest that always raged right beneath the surface of my more manic and enthusiastic side. My wild side. My exuberance, playfulness, and barely containable readiness for adventure... along with my eagerness for mischief and mayhem... hid the despair and deeply painful Consciousness of Self. Behind the bubbling frenzy of the smiling trickster was the terrible demon of darkness. What I would call now my Daimon, the guiding figure of the Souls Pattern, dragging me through experience after experience, meeting myself in the mirrors all around me, in the world and other people, in dramas and dreams and the dreadful tearing of the seams of my inner landscape as I tried to find some foothold in a seemingly ever-shifting reality. How to remain tethered, I wondered, when each moment held an all-engaging presence of attention for me that fluctuated wildly from ecstatic flights of joyful ebullience to the deep abyss of misery; Making mountains out of mole-hills and Mole-hills out of mountains. Subtle Impressions from everyone and everywhere and everything gripped me constantly, pulling me this way and that. I had and still have, a vast reservoir of vital energy, of LifeForce, and as it was ripening in these years, I had no understanding whatsoever how to tame it. No model and no guide. It seemed to me that most people who surrounded me, were barely alive, just stumbling half-numb through life, no real Juice. I swore even then that I would not be one of them, that I would Live my passion one way or another. Even if it killed me. And that meant, also, that when the Passion turned to Pain and Interminable Self-Reflection, that I would follow those devils into Hell itself in order to discover what they hid.
After a lifetime of Obsessive Astrological exploration, as well as Deep dreamwork and shamanic soul recovery, I have a framework for all of what was taking place within my Soul. But back then, when these words poured out of me incessantly, I had no tether or map. All I had was the religious undertones of what I had absorbed through the normal programming of childhood that seeps in whether one is in an overtly religious household or not, and I judged and condemned myself harshly according to those standards. It seemed I went from one tortured obsession to another. My hyper-fixations usually took the form of people in those days. I craved intimate mirrors to play out the internal archetypal motifs that were swallowing me whole moment by moment. In AstroSpeak, I have a Fifth house Aries Moon...Aries being the sign in which the Martian Vitality and lifeforce and adventure is projected out toward the world and all It can experience and play with and consume and express. It is a cardinal sign, bringing with it Change for the sake of Change. Everything gets old quick. No matter how beautiful or real or pure. My emotional reactions were always tinged with fire and dynamism and impatience and arrogance...as well as childlike innocence and naivete and curiosity. Falling Hard and fast and quick, and getting bored just as easy. Like a toddler. As a 'sort of' counterbalance I have the Sun/Uranus/Asc/Mercury in First house Scorpio, also ruled by Mars (and Pluto in modern Astrology), but with that same fiery volatile Passion and intensity turned inward, but with fixity, to the existential abyss, the subtle psyche, the imaginal realm and the chthonic underworld where all our hidden shadows dwell. I was drawn to the darkness and all things taboo, to all things hidden and hushed. I needed to feel things so deeply and confront life so head on, whether inwardly or outwardly, I was unable to plant my feet on the ground in any solid sense. I never really had any real 'plan' for things, never felt settled in my skin, just riding each wave and crest and then sinking to the bottom in an endless overwhelm. My entire life has been bound up in the question of What on Earth To Do With All This Energy and Passion and Drive to Experience? Destroy myself and Others? Channel it into something divinely inspired? Transmute the raw and unbridled kundalini sexual and creative energy into Art and Alchemy? Aching to Pupate. Always. Always. All Ways.
Not everyone is so fixated on their personal Mythology, but for me, it is my Daimonic Urge and Reason to Be Here This Time Around. It is all coming Full Circle. The Fool Circling Herself Over and Over again......Spinning the toroid and surfing the tides. The churning of the cosmic ocean, with the poles of my moods, and obsessions. Pluto/Venus in the 12th house underLooking all of it, smirking in the background, knowing that the entire Game of Life for me would be this never-ending battle between my unquenchable need and desire to penetrate all things and all people so deeply in the psychic reality that there would be a complete merging of souls and obliteration of the separate Self.........and my unconquerable need and desire for ultimate freedom and sovereignty and manic flights of hyperfixation into whatever new flight of fancy drew my eye and my mind and my fiery soul into its crucible at the time. And Time was so unstable, it tilted and wavered constantly from one extreme to another. It is easy to see this now and to laugh at times at the utter contradiction of my nature in its raw and adolescent attempts at individuating out of the morass of the yeasty culture-d glass of the collective. If I didn't have this huge tome of proof of just how unbalanced I was I might have overwritten those files in my mythology with any number of placations and delusions of sensibility. But alas, I have been leaving myself clues and codes for so long, lifetimes, that I feel my hamster wheel of existence is simply struggling each time to catch up with where I left off....so I can resume the Game. Venus and Pluto's red velvet embrace taunting me on to dive again and again into the poison, attempting to discover the antidote within it. The Fractal nature of Time and Space and The spinning Gyres of our moments and mires, brings us over and over again to the same drama in some different form, some different intensity, some altered frequency of awareness making the reVisiting of Episodes vary in just how destructive or cathartic or world-shaking each anniversary of annihilation is. For me, the whole Scorpio season is rife with peril, but particularly when the transiting Sun each year has navigated through my 12th house and over my Pluto/Venus conjunction, and then straddles my Ascendant in Scorpio. November 1st is the darkest Underworld Period in my private psychomythography. Over and over 'abducted' into the realm of Hades, jerked from Demeter's springtime world of innocence and maidenhood and into the realm of the Dark One. We who follow Stories through Time, though, know that there are alternate versions of the tale. In some, Hades Pluto steals the Kore maiden away, against her wishes, pulled down down down into the depths of the Earth and the Chthonic underground, to be his bride. Tricked and manipulated into eating that dastardly pomegranate, the poor naive Persephone is born anew against her delicate Will, initiated into the mysteries of life and death and sex and birth and death and the psychic reality, raped by the dark lord himself, and held against her will as her poor mourning mother wanders all the lands of the upper world refusing to let anything grow. But there are alternate versions in which Persephone chooses of her own volition to leave her mother's spring-world and to descend inward and deep into the treasure-land of Pluto's psychic wealth. Foregoing her innocence, and stepping into her role as bride of Hades and Queen of the Underworld. I always knew, even during each cyclical 'Rape of Hades' that there was some element that had chosen to go willingly. That had not hesitated with the offering of the pomegranate seeds. 'The red dripping juice, the blood ripping loose, as I lay within it' . My first exposure to Greek Mythology in this incarnation, held me spellbound; And always it was the Story of Persephone and Hades that obsessed me. We know, on some level, which archetypal assortment of ancient and future narratives we have come to spin into some new form and tapestry with our very life-blood and psychic substrate. We know, deep down in the Marrow of Our Bones........what we have come to do. Who we have come to form from the raw clay. We know, when we feel the foreboding of the future, our innocent child and adolescent minds reaching out toward that terrifying abyss and yet clutching to the apron strings of our Mamas, our Demeter, who weeps for the inevitable Loss of their pure maiden. Confrontation with Self is Alluring in all Times and Spaces. Indeed.
I used to think, when younger, that my rendezvous' with Hades were the causal factor in my psychic splitting and fragmenting and my extreme lack of boundaries and fixation on the seductive spirit of the Lust for Life expressed through the only thing I had at my disposal, my body and my heart, and my soul. I now know that I came into this realm with this blueprint, and I have been working on this theme in some form for lifetimes. I swore, on the other side of the Dream, that I would finally integrate all of this. I remember. I remember promising mySelf that I am ready to burst through into an entirely new expression of SpiritAsBody.........a new Form, utterly different, as different as the butterfly and the caterpillar. A transfiguration that cannot happen without letting everything that has ever come before, in all lives and timelines, turn to mush within my Sealed Vessel. I can imagine nothing more painful than the crystallized imprints of all self-idea and frameworks of being, dissolving into an amorphous mass of pure raw material....... and with it the self-inflicted guilts and shame and terror of immortality. I know, because I have gone through the process on fractal levels. And so far, it has been the most painful and humbling thing that I have ever experienced as a human playing at being, a seeminglySeparateSelf, over and over and over again. I have clung to my own narratives and stories and miseries like prized possessions, time after time, during the catabolic process. The eventual release is the closest thing to surrender or bliss I know of. And I descend now, into these psychic gulags that hold trapped fragments of the selves I have been and Am, in this and other realities, not because of any desire to drag the 'past' along behind me like a dead weight....but because I know What It Is To Create From The Compost Of Our Most Intense and Animated and Alive Moments.
I sit now, after editing and going through over 600 poems from a small period of time in which I was both the most Innocent and filled with dreams as I would ever be again, as well as the most tormented and lost and confused and victim to my own impulses and out-of-control Eros as I would ever be. I am listening to a playlist that I remade, from the mixtape my first love gave to me. Back when it was a process of recording patiently onto a cassette tape. The words to the songs are eerily prescient, holding the fractal of what would become the mythology of our magic little world. I almost cannot bear it, feeling all of the things I felt then, so viscerally, and reliving the excitement and the hope and the innocence and yet also the turbulence of my own inner conflicts and clumsy attempts to silence the voice of denial that held me hostage, living in an ivory tower of dissociation from my most recent abduction into Hades realm. And the recognition, the knowing that over and over in my life, my own Nature, my own desperate clinging to the Daimon's Games of Power have led me to hurt other people deeply, people I adored and felt such deep and abiding love and affection for. Over and over again the wheel turns. And I face myself. Just a different set and costumes for the same story. And yet....the knowing....that each decision and each turn of the spiral has led to the next keyhole of destiny. The flesh feels things differently than the mind does. The Body and the Soul can twist in anguish where the mind and spirit simply evaluate from their lofty perch.
I am loathe to admit that I have never really been hurt or left dark and cold by another, at least romantically, despite what my young immature poetry seems to attest to. My abductions have been of betrayal of a different manner. And how often have I cried so loud and so deep and so long, tears that really belong to those who have been left tangled in their own tapestry of pain, by my own actions and desperate restlessness? Even those events in which, to anyone else, I would be considered a 'victim' have never left any real and lasting indelible mark on my consciousness in the same way as having to hold the pain of hurting anOther. In some ways I know that later tortures and entanglements that I drew myself into, were my way of punishing myself for things I have carried for so long. It is We, who whip ourselves and flagellate, for every real or perceived indiscretion or misuse of power or passion. We roll through Other's lives like steam engines, all of us, the same way they roll through ours, and we all leave marks and scars and broken hearts and broken pieces of mechanical parts.....we are mirrors of each other. My whole life I have been trying to shatter the mirrors and free mySelf from my own psychic gulag. There are some fragments of soul that have been trapped inside for Aeons. The River Lethe's waters are refreshing.....
This is the End of the Innocence.
Or is it?
The Eternal Return........Some believe we are forced into this rotating wheel of existence, as a punishment, others as a great trick and trap of the soul by the nefarious overlord who created this matrix simulation. Some believe there is no real point except to be pure enough and good enough and virtuous enough to get off the wheel and stay in the heavenly abode of nirvana and everlasting peace. I have inhabited those lofty and angry reality tunnels. I have been there. As a reaction against my naturally passionate and vital life-force, and my indulgences, I have swung to the opposite extreme. I have been so virtuous and unsullied and pure that I was basically dead. You know the type. So dissociated from their Soul and Body that they really believe they have no anger or desire or Eros......it is all painted white and hung on the wall of the ivory tower up there in the Heavenly Resort where God hangs out with his chosen ones........disgusted with the messy vulgarities of life. Yes, those ones. They have the most life-force in them, I believe, and it so terrifies them, that to acknowledge it and to dance with it and sculpt it consciously is such an overwhelming task, that it is never begun. So the Angelic Choir sings on inside their deluded minds.....while their Body paces like a tiger in a cage, and their Heart fractures piece by piece to keep from exploding into some exuberant display of animal joy at the mere taste of air and of sunlight and of the senses shouting to every other thing in their vicinity that I AM HERE, BY GOD, I AM ALIVE! I have been that starved person. Quite Literally. I started out as the Tiger, and when Lifeforce quickened within me I was on Fire with Life and Love and Laughter and Creativity. In a World where only the Living Dead are allowed to exist. And I tried to shut it off and shut it down and because I could not, I hated myself, and It dripped mercilessly into a pool of dark molasses that clung to every failure and flaw of my pathetic human self and insecurities and lust and self-lies. And then, I would rise again from the dreadful heap of suffering and spring into some new obsession and fixation and feel the well-spring of God in my veins again and rail against any or all who may have had the audacity to try and cage this tiger again. And in Truth...... It was always I, who caged Me. I read now, through my past words, my desperate projections onto Other. I see how this raging fire within was threatening to consume me entirely, and was projected outward on any available mirror, anything that could hold the intensity of my Gaze for just a moment, long enough to rid myself of the demons. The Daimon.
I see, in retrospect, and even at the time I had awareness of it, to be honest, that I was arguing and exclaiming with my own Self in most of my writing.
“We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.” ~W B Yeats
The various competing forces of my psychic configuration hashing it out constantly. We all do it. But some are more sharply defined and more deeply accursed with erratic moods and depth of feeling and empathic undulations that make it impossible to know the difference between self and other, until a long initiation in the fire and the water. And then, perhaps, that curse is turned into a gift. The Innocence. That is why we play this game. Over and over. We will never fore-go it. Ever. How do I know? Because Here We Are. We go through all the tribulations and traumas of building a new infant body and making the journey through the abyss, into an often shocking and tumultuous young existence......all to feel, One More Time, what it is to be so smitten with Life and Possibility and Not-Knowing, that we cave under the weight. We drag Immortality behind us in a tightly tethered sack that we pretend is not there, for the experience of losing the Self in An Other. Of having a chance to Play with New Rules and Discover again, the Ecstasies of Falling in Love for the first time, or of setting out into the Great Beyond to Make A Life For Oneself. The Fools Journey. Full Circle. Circling the Square and Squaring the Circle. While the I divides itSelf in Time. Leaving Space for Ties that Bind Body and Mind. We leave Eternity over and over again Simply to feel the Innocence: we will give up all wisdom , endlessly, to look out thru the eyes of wonder and the unjaded heart that bleeds and beats …. We start out wishing for all the experience and the answers and the knowings, trying to race thru everything and the older we get in these human Characters, the more sure we are, I think, each time, that we will do it all Over again..::all the pain and all the sorrow and all the confusion and all the angst , just to feel that Innocence of Life First Seeing Itself In AnOther’s Eyes. And the wheel turns itself over again. “It was the end of the innocence” William Blake knew. The Songs of Innocence. The Songs of Experience. And there-in Lie We. Somewhere In-Between. Worlds in Collision, Trying To Be.
We come into each others lives as Humans Playing at Being, helping each other See ourSelves differently so we can Be ourSelves differently. Whether we know it intellectually at the time, on some level we know where we are headed in this life. Even when we are still just an acorn, aching to live itSelf out into whatever Oak it can Stand to Be.
🥀{“Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...”
“There are dead ideas and cold beliefs, wrote William James, and then there are hot and live ones. When an idea “grows hot and lives within us,” he believed, everything must recrystallize around it. The exuberant life, bursting as it does with feverish beliefs, is one of constant recrystallization; in this lies much of its value, complexity, and potential danger. That which is most deeply felt is also most powerfully expressed to others. “We cannot write well or truly but what we write with gusto,” said Thoreau. “The body the senses must conspire with the spirit—Expression is the act of the whole man. that our speech may be vascular.” But our beholdenness to passion assures a darker side. Exuberance can veer sharply into disturbing territory. Champagne enchants, but it also intoxicates more quickly than stiller wines: heed glides into heedlessness as effortlessly as the silk chemise drops to the floor. The things that excite contain the capacity for excess and the potential to shame or devastate. Enthusiasm shares a border with fanaticism, and joy with hysteria; exuberance lives in uncomfortable proximity to mania. Exuberance, as Shakespeare wrote of music, “hath such a charm / To make bad good, and good provoke to harm.” Thwarted or deviant enthusiasms, once pro-voked, are powers to reckon with. The fever of passion itself is not the difficulty, argued William James; rather, trouble lies in the nature of the passion and how well it holds up to the light of day. “Surely the fever process as such is not the ground for our disesteem,” he wrote. “For ought we know to the contrary, 103° or 104° Fahrenheit might be a much more favorable temperature for truths to germinate and sprout in, than the more ordinary blood-heat of 97 or 98 degrees. It is the dis-agreeableness itself of the fancies, or their inability to bear the criticisms of the convalescent hour.” Disagreeable fancies are irksome at best and calamitous at worst. Too ardent or misdirected exuberance creates mayhem for the individual and exposes others to the possibility of mishap, if not actual danger. Unchecked, enthusiasm runs roughshod over reason and intrudes into the private emotional territory of others, imposing, as it goes, its own energy and tempo. Exuberance whips its way in, dominant, and forces itself upon those trapped in its eddy. At its best, it is infectious and enlivening; at its worst, it stifles the ideas and feelings of the less exuberant. Not everyone delights in delight, especially if it is not their own, and few wish to have their moods hijacked by those of others. Sustained or nuanced social interactions are difficult in the presence of great exuberance, and indiscriminate enthusiasm hinders the discernment necessary to sort out true friend from possible foe. The lack of fixity creates discomfort and mistrust: the mobility of mind and attachment that is artistically helpful may not prove an asset in other circumstances. Like Brown-ing’s Last Duchess, who had “A Heart how shall I say?—too soon made glad, / Too easily impressed; she liked whate er / She looked on, and her looks went everywhere,” the exuberant are easily engaged. And exuberance is, in its very effusiveness, liable to misconstruction and suspicion, often misinterpreted as sexual interest when none is intended, or as implying a more sustained emotional commitment than is warranted by the high spirits that, however persuasive, may prove to be transient or directed in any number of places. ….. Carter Brown was mindful, however, that not everyone found his energy to their liking (although most who knew him certainly did). His tendency, as he put it, to “lope into others’ pastures” was, he acknowledged, not infrequently experienced as “grating.” Brown, who could no more keep his enthusiasm in check than an otter can keep to the riverbank, believed that his exuberance was an integral part of his leadership of the National Gallery, but he was also aware that it caused envy in some and made others feel over-whelmed. Brown said he tried to slow down his speech and to keep his long arms and hands from waving into the “emotional space” of other people, but that it was an uphill fight. …… Where does exuberance end and mania begin? What is eccentricity, or simply a normal variation in temperament, and when does it tip over into irrational exuberance and psychopathology? We do not know. The edges of mania may be exhilarating, as Clifford Beers relates in A Mind That Found Itself “It seemed as though the refreshing breath of some kind Goddess of Wisdom was being blown gently against the surface of my brain. … So delicate, so crisp and exhilarating was it that words fail me in my attempt to describe it”. … Normal exuberance can escalate into pathological enthusiasm, anger, or even mania. Those who have what Emil Kraepelin called a “manic predisposition” are not only extraverted, cheerful, and overly optimistic, they also possess highly unstable and irritable moods. Indeed, those most inclined to exuberance are often most subject to despair and hopelessness. These dark sides of exuberance both help and hinder: if enthusiasm switches quickly to wrath or is bound too often to impetuous action, many of the dangers we have discussed are made more likely. If melancholy gives a humanizing perspective to exuberance, however, there is less risk of hazardous behavior and shallow thought. As we shall see, a close familiarity with both exuberance and despair may lead to a profound understanding of human nature, as well as an ability to more complexly express it in the arts and sciences. Moderation in strong emotions is not always easily come by. Lucretius observed two thousand years ago that the destructive motions “can never permanently get the upper hand and entomb vitality for evermore. Neither can the generative and augmentative motions permanently safeguard what they have created. …. There was, he said, “a sort of uncommon celerity in changing expression, in thought and speech.” His legendary restlessness was summed up most graphically by Henry Adams, who said that Stevenson “seems never to rest, but perches like a parrot on every available projection, jumping trom one to another, and talking incessantly.” Keeping to his bird analogy, but switching species, Adams wrote to another friend that Stevenson looked like “an insane stork, very warm and very restless.” An acquaintance of Stevenson’s in Samoa concurred: “He was as active and restless as if his veins had been filled with quicksilver.” W. E. Henley wrote of Stevenson that he was as “mutable as the sea,/ The brown eyes radiant with vivacity…/ A spirit intense and rare, with trace on trace/ Of passion, impudence, and energy.” Another friend said that “there were two Stevensons … this strange dual personality… I have seen him in all moods… chatting away in the calmest manner possible; and I have seen him become suddenly agitated, jump from that table and stalk to and fro across the floor like some wild forest animal … his face would glow and his eyes would flash, darkening, lighting, scintillating, hypnotising you with their brilliance and the burning fires within.” Stevenson had, in short, a febrile temperament. …. The intensity and variability of Stevenson’s moods-his not infrequent black depressions and his contrasting exuberance— certainly contributed to his understanding of the underbelly of delight. His temperament was peculiarly tuned to not only the darker side of human nature and its ready accessibility but to a firsthand knowledge of man’s multiplicity of selves. Stevenson’s own fluctuating and wildly disparate moods made him especially sensitive to the ambiguities, shadings, and inconsistencies of human enthusiasms and, indeed, of life itself. “It is in vain to seek for consistency or expect clear and stable views,” he wrote. “In this flux of things, our identity itself seems in a perpetual variation…. All our attributes are modified or changed; and it will be a poor account of us if our views do not modify and change in a proportion.” Stevenson’s close knowledge of dark and inconstant moods inevitably influenced his work. It provided him a keen sensitivity to mood states of all kinds, and enhanced his genius for portraying their nuances. It also gave him a hard appreciation for the seductiveness of uninhibited states of mind. Stevenson’s intimate acquaintance with contrary and unpredictable moods did not account for all, or even perhaps most, of his perspective on life. But to underestimate it is to underestimate Stevenson himself; it is, as well, to underestimate the raw, knowing, and deeply human power of his greatest writings. …. The juxtaposition of the exuberant and the malignant is potentially dangerous, but a balance between the two can provide ballast and gravitas. Excessive lightness can be given a grace note by the dark, as melancholy and mania can give each other depth and height. To make use of despair is an ancient gift of the artist: to learn from pain; to temper the frenzied enthusiasm; to rein in the scatter, the rank confidence, and the expansive ideas generated during times of unchecked exuberance. Melancholy has a way of winding in the high-flying expectations that are the great gift of exuberance but its liability as well; it forces a different kind of look-ing. “In these flashing revelations of grief”s wonderful fire,” wrote Melville, “we see all things as they are; and though, when the electric element is gone, the shadows once more descend, and the false outlines of objects again return; yet not with their former power to deceive.” Melancholy forces a slower pace, makes denial a less plausible enterprise, and constructs a ceiling of reality over sky-borne ideas. It thrusts death into the mental theater and sees to it that the salient past will be preserved. Exuberant ideas benefit from skepticism and leadshot. Whether the ballast comes from melancholy, from law or social sanction, from an astringent intellect or the incredulity of others, discipline and qualm are conducive to getting the best yield from high mood and energy.”
{selections from Kay Redfield Jamison, ‘Exuberance’}
When we are old and wise… too open our I’s… We Yearn to live our life Backwards Slowly crawling thru River Lethe Toward Innocence Eventually crawling right back into the Womb
To do It All Again
Eternity is In Love With the Productions of Time
The Fool hides Immortality In his travel bag Winks Smiles Looks over the abyss And steps off the Edge
A Lifetime of pain Perhaps All for the taste Of One Mortal Kiss
And This
Is what keeps the Wheel in Spin
To Truly Love An Other
We Must Forget Again and again
“If My Love is Blind Then I Don’t want to See Am I left to Burn And Burn Eternally” She’s a Mystery to Me~s
Approximately four days before I died I called your house to remind you of my funeral. But you were not home. And so I crawled off into the woods to die alone, without social gathering and without open casket viewing. And the moment after I breathed my last breath as I began to drift from consciousness I heard your voice in the distance calling for me. But it was too late. For I had already perished into the depths of my own denial- the denial that you cared for me. And now I am dead and I can still hear you calling for me...
12-16-1998
( deep down in the abyssal waters of the Descent….From Volume 6 Linguistic Trickster)
Waking before dawn, Persephone finds herself curled in a ball at the foot of the couch. As she lay, shivering, her mind flashes from image to image, groggy pictures and feelings that seem like dreams, but she knows they are more than this. There is a subtle difference in the quality of these flashes of memory that tell her it is more than imagination. Suddenly she is gripped with fear. Panic shoots through her half-numb body and forces her to rise to her feet. She looks around, as if she has just woken from a terrible nightmare... her eyes grasping for familiarity. There is no one here except her. At least, not in the living room. She's in her friends apartment...nothing strange about that. It's the feeling of death that shakes her up, that makes her heart beat wildly in the walls of her chest. As if it were trying to wake her soul to something she is trying to forget. Outside, the streetlamps are on, the sun has not yet announced the new day. Inside, the cold atmosphere of foreboding wraps around her like silk.
As Persephone makes her way to the bathroom down the hall, she peeks into her friends room... she is laying on her bed, asleep to the world. As she gently closes the bathroom door, she realizes that she is afraid to see what she knows is there. Silently, slowly, calmly, she unbuttons her faded jeans and slides them down her chattering legs. There it is. A crimson stain in the sacred fold of her panties. Now there is no pretending that her night's hauntings were but dreams...she had been swallowed whole by the night and regurgitated in this dark and cold dwelling, left to ponder the pieces left scattered in her mind. Her soul too afraid to recall in that moment the enormity of the Shadow that now covered her. As she flees the building she is vaguely aware of fleeing her body, so heavy is the weight of what she knows.
The steaming bathroom makes a fortress of her sorrow, the boiling water running over her flesh trying to remove the stain of Him. The Shadowman has left his imprint all over her, the white satin sheet of her existence now saturated black. No matter how hard she scrubs, no matter how deeply she digs at her flesh, she feels she cannot escape the vines that have tangled around her soul, suffocating her sense of Self and lacerating the last remaining vestige of innocence she had known. The tears feel like daggers, sliding down her face, mingling with the bullets of blistering shower spray which, for a moment at least, make her feel that she is really here. Existing. Still.
Persephone huddles in the still steaming bathroom, arms wrapped around knees, head buried in arms. She knows that she must leave her grandmothers house before she wakes, or else the desecration will be obvious. She gathers herself and manages to get dressed...sickened at the thought of wearing the same clothes that hold the smell of Him, the stain of Him. But with no extra clothes with her, she pulls on the jeans as if she is entering the skin of the devil himself.
(From Intro/ Linguistic Trickster Volume 6....poems from 1996 through 1998)