I added the Autobiographical Fractal Framework and Trip stories in this volume because I wrote them during the span of time that is encapsulated within this particular book. The trip took place at the end of 1999, and the autobiographical framework stopped at the trip. As I continue backwards through time, in a sort of 'Dreaming Back' as W.B Yeats would call it, it is vital to the understanding of my Art and my Story in this timeline. Everything that I experienced in that disMemberment and reMemberance and shamanic initiation, has continued to unFold within my neurology and biology, and biology becomes psychology, (just as psychology becomes physiology). My whole life has been an attempt to Integrate what was ripped open that day and night. I was quite literally shattered completely. I was already painfully sensitive but had now become a Raw Exposed Nerve Ending in Synaptic Rapture. The Current that had run through Me, was to take me the next 20+ years to finally Ground and reWire. It's all Current, See.....the Currency of this Dream.
For years now the need to complete the Story where I left off in the telling, after the trip, has been haunting me. I laid only the bare bones skeletal framework of my childhood and adolescence here, so that also will eventually be fleshed out. For my whole life has become a sort of Recapitulation of all the most intense Lifetimes that have been Lodged within my Fascial Matrix carried over again and again in crystallized synaptic patterns that reWeave Selves from Seams I have been unable to Let Go Of in this NeverEnding Story.
There are certain repeating patterns that loop over and over. I have tracked them and wooed them and played their game so often, and l am taking a step in this Incarnation to completely Clear the Vessel, so that the Seed that I drop in the fertile soil of my Matter Matrice WombTomb shall bear Fruit of an Entirely new Expression of Being. It is the purpose of me ripping open all of my seams and letting the filling fall out, sanctified, purified. I want to be completely transparent by the time I leave this Dream as Charleen, so the Light that pours through me can shine effervescently and without inhibition.
It is an entire Life's Work. It is the Magnum Opus. There is no other task. Every single thing I do in this playground is connected to that single Vision of prostration to the divine invective Kun! Be! And I have learned that to Be, Fully, one must be Free of the tangled memories and moments that bear narratives that weigh One down. In the telling of the personal Mythology, there is a redemption of the vessel. In the creation of an Alchemical Athanor, we are transforming the Matter of Self, and EveryThing Matters, literally, if It is to Know ItSelf.
I came to realize through the years in which this collection of poetry and writing came to be, that In a sense I had 'MK ULTRA'd myself. I had broken down my own consciousness in the same way that has been done for long periods of time by the Powers that Pretend to Be; I had overloaded my system and shattered the foundation with psychedelics. It was a slippery path and a razors edge of stitching myself back together in a sovereign manner and not giving way to external programming...
….in such an intensely sensitive psychic State for so long afterwards, the field was fertile for succumbing to the matrix manipulation of the overriding program of disempowerment. I definitely became extremely intimate with the various Alters and Sub-Personalities that made up my Psychic Tapestry. I would spend many years in a whirlwind of moods and madness and manic depressive pendulum surfing, trying to ravel myself back together in a functional way. I entertain the idea that I had scripted it in from the beginning, when I undertook this living dream, in order to assure that my life followed the trajectory I had chosen. It is all in my Natal Blueprint. Woven in. Healing and Wholeness and UnFiltered Expression of the Sovereign Self was to be my Life Mission, and in order to make that possible, I had to literally and metaphorically dig myself out of the purgatorial realms and navigate through every fractal landscape of my own darkness over time, slowly allowing myself to Let Go of all the painful narratives and myths that have shaped me. I am still undergoing that Great Work. For Alchemy never ends. And That Art Thou. We Are The Process.
Some of my most painful relational lessons were unfolded in this time period between 2003 and the end of 2016. It was a time of constant New Growth and New Letting Go and unbearable emotional darkness in many ways. I made some of the most painful decisions in my life thus far, during this time. I also made some of the most empowering statements of my sacred intention to live Free and in devotion to my Vision of sovereignty. I am grateful for all of the Pain and the Joy that have been a part of my Grand Dream. And I'm still Dreaming.
I am still making the Word Flesh. I am still learning to Embody more and more of what and who I am. I have always had a strong mental nature, and a tendency to intellectualize and become tangled in the vast array of my Mental Reality. The work of these years here contained, has been foremost the work of Leaving the Ivory Tower and Coming Down To Earth. I spent so much time building castles in the sky, so utterly dissociated much of the time into vast internal realms where I was disengaged with the physical realm. When I went through the initiation of pregnancy and birth, I had undertaken the most incredible magic of my life. It helped to configure me into this more dense and slow realm, one in which terrified me; for the wings of the spirit are so unfettered and swift, and the plodding path of the feet on the earth of the mother, can seem so desperately slow and torturous when the Self one is Playing at Being has at it's disposal a Mind that can travel the lightening path and disappear so easily into different dimensions, Hermes Quicksilver playing tricks with light and with thought. Thoth Psychopomp finally midwifing my own Spirit into Body as I birthed my Son into this World.
What a Sacred Task. And what a Mirror, as I brought the Light of my being more fully into Form, I literally brought the Light of my Heart, the most precious gift of all lifetimes, the Consummation of all my beautiful pains and sorrows in all timelines...through the portal of my womb and into this Earth Playground, with spirit unbroken, with body and soul and spirit intact and unfettered. Our Sacred Contract. The roles we have played for each other: "I will bring you through the Hymen of this world in sovereignty and protect your divinity until you can carry the weight of that task on your own.... ....and you will help me to ReMember my Joy...... You will help me find my PlaySoul...”
For I had grown so ancient, in so few earth years, this time around. My Consciousness had been inside the LiveWire for millions of years, for Aeons, and the small daily tasks of Living in Body seemed so overwhelming.
But through Mothering, my Heart grew so large and so full and so raw and so overwhelmed with the Beauty of Enmeshment in Flesh, that I became Wide Open to Life and to Love and to Light and to Laughter. The Puella Eterna finally grew up. And part of Growing Up, and Growing Out and In, is making choices and taking responsibility for those choices in Saturn's kingdom ....within the skin. And where skin touches skin. Where the All Sinks In to become Woven in Time and Space because that is the Marriage Bed.
I went from ‘hating the confinement of this PrisonGame' to the 'Absolute Adoration of the Beloved That is Everywhere and Everything' and I am filled to bursting with the Desire to Share my Descent and ReAscent and all the winding paths between. The Road goes on and on...And I look forward (and backward) to the Infinite Adventure...
I Thank you for being Witness to my Journey, and invite you to follow me further in Dreaming Back, and Telling my personal Mythology, through the next Volume of my Poetry and records of Psyche's Tasks.
👁️We sometimes think, and even like to think, that the two greatest exertions that have influenced mankind, religion and science, have always been historical enemies, intriguing us in opposite directions. But this effort at special identity is loudly false. It is not religion but the church and science that were hostile to each other. And it was rivalry, not contravention. Both were religious. They were two giants fuming at each other over the same ground. Both proclaimed to be the only way to divine revelation.
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Science then, for all its pomp of factness, is not unlike some of the more easily disparaged outbreaks of pseudoreligions. In this period of transition from its religious basis, science often shares with the celestial maps of astrology, or a hundred other irrationalisms, the same nostalgia for the Final Answer, the One Truth, the Single Cause. In the frustrations and sweat of laboratories, it feels the same temptations to swarm into sects, even as did the Khabir refugees, and set out here and there through the dry Sinais of parched fact for some rich and brave significance flowing with truth and exaltation. And all of this, my metaphor and all, is a part of this transitional period after the breakdown of the bicameral mind.
And this essay is no exception.
…….
Curiously, none of these contemporary movements tells us anything about what we are supposed to be like after the wrinkles in our nutrition have been ironed smooth, or "the withering away of the state" has occurred, or our libidos have been properly cathected, or the chaos of reinforcements has been made straight. Instead their allusion is mostly backward, telling us what has gone wrong, hinting of some cosmic disgrace, some earlier stunting of our potential. It is, I think, yet another characteristic of the religious form which such movements have taken over in the emptiness caused by the retreat of ecclesiastical certainty — that of a supposed fall of man.
This strange and, I think, spurious idea of a lost innocence takes its mark precisely in the breakdown of the bicameral mind as the first great conscious narratization of mankind. It is the song of the Assyrian psalms, the wail of the Hebrew hymns, the myth of Eden, the fundamental fall from divine favor that is the source and first premise of the world's great religions. I interpret this hypothetical fall of man to be the groping of newly conscious men to narratize what has happened to them, the loss of divine voices and assurances in a chaos of human directive and selfish privacies.
We see this theme of lost certainty and splendor not only stated by all the religions of man throughout history, but also again and again even in nonreligious intellectual history. It is there from the reminiscence theory of the Platonic Dialogues, that everything new is really a recalling of a lost better world, all the way to Rousseau's complaint of the corruption of natural min by the artificialities of civilization. And we see it also in the modern scientisms I have mentioned: in Marx’s assumption of a lost "social childhood of mankind where mankind unfolds in complete beauty," so clearly stated in his earlier writings, an innocence corrupted by money, a paradise to be regained. Or in the Freudian emphasis on the deep-seatedness of neurosis in civilization and of dreadful primordial acts and wishes in both our racial and individual pasts; and by inference a previous innocence, quite unspecified, to which we return through psychoanalysis. Or in behaviorism, if less distinctly, in the undocumented faith that it is the chaotic reinforcements of development and the social process that must be controlled and ordered to return man to a quite unspecified ideal before these reinforcements had twisted his true nature awry.
I therefore believe that these and many other movements of our time are in the great long picture of our civilizations related to the loss of an earlier organization of human natures. They are attempts to return to what is no longer there, like poets to their inexistent Muses, and as such they are characteristic of these transitional millennia in which we are imbedded.
I do not mean that the individual thinker, the reader of this page or its writer, or Galileo or Marx, is so abject a creature as to have any conscious articulate willing to reach either the absolutes of gods or to return to a preconscious innocence. Such terms are meaningless applied to individual lives and removed from the larger context of history. It is only if we make generations our persons and centuries hours that the pattern is clear.
As individuals we are at the mercies of our own collective imperatives. We see over our everyday attentions, our gardens and politics, and children, into the forms of our culture darkly. And our culture is our history. In our attempts to communicate or to persuade or simply interest others, we are using and moving about through cultural models among whose differences we may select, but from whose totality we cannot escape. And it is in this sense of the forms of appeal, of begetting hope or interest or appreciation or praise for ourselves or for our ideas, that our communications are shaped into these historical patterns, these grooves of persuasion which are even in the act of communication an inherent part of what is communicated.
And this essay is no exception.
No exception at all. It began in what seemed in my personal narratizations as an individual choice of a problem with which I have had an intense involvement for most of my life: the problem of the nature and origin of all this invisible country of touchless rememberings and unshowable reveries, this introcosm that is more myself than anything I can find in any mirror. But was this impulse to discover the source of consciousness what it appeared to me? The very notion of truth is a culturally given direction, a part of the pervasive nostalgia for an earlier certainty. The very idea of a universal stability, an eternal firmness of principle out there that can be sought for through the world as might an Arthurian knight for the Grail, is, in the morphology of history, a direct outgrowth of the search for lost gods in the first two millennia after the decline of the bicameral mind. What was then an augury for direction of action among the ruins of an archaic mentality is now the search for an innocence of certainty among the mythologies of facts.👁️
~Julian Jaynes, the Origin of Consciousness in the Breakdown of the bicameral mind
“Into the Abyss” begins in January 1999; I had been in College since September, I was set free into an entirely new environment in which no one had any prior history of me, or 'story' of who I was. I had been ecstatic for the new adventure of living away from home and exploring a new territory. I had already been in a very manic period, since the summer of 1998, and by the end of winter had fallen headlong into the Saturnian pendulum swing of depression and angst and my external indulgences and debaucheries weighing like lead in my soul as I struggled to come to terms with the other pole of my being. It was 1999 that saw me through college and all its run-ins with authority, all the experimentation with mind altering substances and the dance with the demon of alcohol and the intensity of my wild self and having no real structure to tether the reigns. As the year progressed and became more and more unhinged, I lost all interest in school. Mostly I played basketball in the rec center for hours a day instead of going to classes, and spent my nights in a whirlwind of partying and seeking the mirror of self in all its forms. By the end of the school year, I knew I would not return, but also didn't want to go home. So I stayed in Greenville for the summer, as I came more and more unwound. Eventually, I left suddenly, and returned home, as I feared I was about to enter a chasm I could not escape from. (See 'Autobiographical Fractal Framework' in Volume 3 for the more fleshed out version.)
Once home I had more life and death encounters with the Dark Lord and the Mania and Madness that was following me, that I called the Madwoman's Whisper. I was spinning out of control.... and then I dove into the Abyss. (See "The Trip' at the end of the book). In one sense it saved me from complete obliteration and a fate worse than death. In another sense, I was completely dismembered, and my nervous system shattered by the weight of baring Eternity. It would become the task of the rest of my life, to unfold all that I experienced and Saw and Underwent. I would be given the decree to Embody the Promethian Flame of Inspiration and Awareness into the Fleshly Abode so fully that the Body ItSelf would be the Divine Vessel of Transfiguration and Life. Would I be capable of Grounding that incredible Current, into this vehicle?
Not yet. I had to undergo a complete re-wiring, which required me to Let Go of any semblance of a 'normal' reality. I was banished from the everyday participation of life, and pushed so far inside that I felt like I was simply witnessing everything around me in utter shock and dismay......all boundaries obliterated between I and Thou, Self and Other.
“The Pain of Purgatory” starts off in January 2000, struggling to come down to Earth, flailing in the supersensible realms, trying to reconcile my pulsating Awareness of AllThatls with the strange clumsy body and mind and nervous system I was operating in. I was essentially an ancient Being trapped in the body of an emotionally immature and manically arrogant and impatient human form. An utter crisis. I had the option of doing what I was witnessing in my Soul Brother, which is to attempt to fly further into the Promethian realms and Neptunian Boundaryless waters of ever-more mind altering substances in order to avoid the shock of dismemberment and loss of Ego and to incubate further the grandiose messianic consciousness that always finds us when we rip away the veil so completely before having the inner structures necessary to ground the current or to integrate the Enormity of It All At Once. Or I could take the opposite path. The path of Initiaton. The path of the Adept. The path of slowly finding all the shattered pieces of the Mirror and reMembering the Self Seam by Seem to Be.....like Osiris, I was Scattered and strung among the shadows and wraiths of Psyches Dream.
I chose the path of Initiation. Even back in college when I first had some very deep hyperspace experiences, It was not the 'product' I was interested in. It was the Process. The inhabiting consciously of my own Synaptic Song......I would attempt to Put Myself Back Together, to Gather the Trust and The Truth of the Mother......
I ended up in Jamaica in early 2000, for a month; It was filled with further initiation and ledges of the abyss. I made it out Alive, and was able because of my time there in the Liminal, to drop some of the rage and darkness that had bubbled to the surface after all boundaries had been shattered.
The thing with Ego Dissolution in a vessel unprepared, is that all of those traumas and Shades and demons now come to the surface, the protective mechanism that keeps them away til the capability of dealing with them constructively, is gone. So I had Lifetimes of baggage and ephemeral feelings and traumas and shame and dangers pouring out of my seams; I had no guidance, no support, no tether to cling to, except my ability to express through my art and writing, the battles and the neurosis and the near psychosis at times.
After returning from Jamaica, I was staying at my parents, in a small little room my dad had added on at some point, that you entered via a little ladder, through the floor. It was like a little prison cell, or a womb, whichever perspective you choose. Oh the metaphors. Now that I was out of the tropical sunshine, in shell-shock still, and having been trapped in my Mind for millions of years in the Trip Space, I was so desperately craving the touch of Human Flesh, of something stable and secure to tell me I was Real and Here and Alive, and not still trapped in the PrizmCell. I can remember crying so long and hard and fully that I thought what was left of my body would just disintegrate into thin air. I knew I was trapped in the tower but didn't know how to get out. On the outside I tried to play along with the game of reality but It must have been pretty unconvincing. I finally got a greyhound ticket to California, after some visions I had that made it pertinent that I go there to meet my Destiny. So June 13 l left on the bus, with almost nothing and about 100$ in my pocket, headed for the unknown once again. I was still 'tripping' after all that time, my consciousness in such a state that it was like swimming through the Codes and the Nodes of the program. I felt completely watched and protected and in tune with everything on an existential level, and yet was suffocated by an unbearable loneliness. As I arrived in my new Playground, | was back inside the Manic space, for another ride on the MerryGoRound. But I met my Tether there in SF, and I began to reWeave a sense of self, slowly. Living in dingy hostels and hotels and maneuvering through the underbelly....how my Plutonic Soul cherishes those experiences! There would be plenty more adventures and struggles to come, but the poetry after arriving in SF begins to take on a more cohesive feel and there is less frazzling and disillusionment.
This journey would continue and by mid December I was once again en route home to Va, for what ended up being a longer visit than planned....and in which Saturn's misery was revisited as I was cast back inside myself to make sense of all that had come before, and find a way forward into a next step on the ever-turning wheel.
The danger with peak experiences and being so focused in the spiritual realm is that one very easily imagines oneself to be far more evolved than one actually is, bypassing the dense human realm, the messy emotional and physical reality that is so insistent. When you are 20 and you have been inside the Center of the Spindle of the Core Processor and swam for millions of years through the SpaceTime field of Mind, bushwhacking oneself through the tangle of Synaptic Vines you are pretty sure you have it all figured out and that very grandiosity and megalomania which is so typical of psychonauts and explorers of hyperspace can force the human ego into a prison and dungeon of abuse and repression which comes out full force at unsuspecting moments. The fragmented and imbalanced emotional reality seeps out of barely stitched seams, an amorphous molasses that threatens to strangle the Puer who struggles to stay in flight above all those sticky human dramas and foibles...that morass of psychic gunk that gets stuck to the Soul as it tries to purify itself in the Flame. I used to read things about awakening and 'the Work' that said until the age of around 40 one had no real ability to truly ‘understand'. I balked at those insinuations....not I, I thought, in my youthful arrogance...they don't know where I Have Been, What I have Seen". It is endearing now, looking back at that Self... but the painful journey of those 20 odd years of Growing Down Into Self and Body, and Actually Activating and Embodying and Integrating, in the Flesh and the Heart, All that One Has StoodUnder Spiritually....and so easily perceived with Mind...is Sacred Testimony. We don the vestment of Life, then, no longer the Puer trying to escape in a frenzy of mania into the unmanifest, but patiently plodding along in a beautiful dance with Saturn, learning to build forms and creating Art from the journey of turning the Poison to Power. The Drama of the The Puer and Senex. No longer burning everything and everyone around one in an uncontainable Fire and Fury of restless angst, but tempering the Athanor to a flame that burns with a compassionate warmth and passion that feeds the life around one and makes things Grow in the Radiance of that Light.
The Journey of Embodiment...
'Welcome to the Jesters Playground", Everything Said.
The Fool who goes through the twists and turns and lives to learn, comes Full circle on the Wheel.......realizes that he is all the characters in the deck....uses the 64 hexagrams, the 64 squares on the chessboard, the 64 Codons of the Human DNA to Weave the Self Alive Again, in Time again, becomes the Jester....... and starts to Heal the Fracture.........of the Imagined Fall from Grace into Time and Space; The Loom ....
Charleen Johnston (From Linguistic Trickster Volume 5) available on Amazon
Volume 6 of Linguistic Trickster spans the time-frame of May 1996 through the end of 1998. This two and a half year period of my life has been the toughest to revisit in many ways. I was 15 1/2 when the poems begin, and have just turned 18 by the end of the period. Most of the poems are not amazing in themselves, as works of art. There are a few gems in there, and a few remain to this day some of my favorite pieces. But as a prolific autobiographical record of my own inner life they are precious to me, and I am so grateful to have the written residue of my young flailings, as hard as it is to read through them now, by the sheer force of their primal raw manic and disturbed inner confusions and contradictions. It is clear in hindsight that with the rise of puberty (I was a late bloomer and matured physiologically much later it seemed than most of my friends and peers) came an intensification of the Moods and Restlessness that had always haunted my extremely emotional and sensitive temperament. I doubt that most who knew me in those days would have guessed at the dark tempest that always raged right beneath the surface of my more manic and enthusiastic side. My wild side. My exuberance, playfulness, and barely containable readiness for adventure... along with my eagerness for mischief and mayhem... hid the despair and deeply painful Consciousness of Self. Behind the bubbling frenzy of the smiling trickster was the terrible demon of darkness. What I would call now my Daimon, the guiding figure of the Souls Pattern, dragging me through experience after experience, meeting myself in the mirrors all around me, in the world and other people, in dramas and dreams and the dreadful tearing of the seams of my inner landscape as I tried to find some foothold in a seemingly ever-shifting reality. How to remain tethered, I wondered, when each moment held an all-engaging presence of attention for me that fluctuated wildly from ecstatic flights of joyful ebullience to the deep abyss of misery; Making mountains out of mole-hills and Mole-hills out of mountains. Subtle Impressions from everyone and everywhere and everything gripped me constantly, pulling me this way and that. I had and still have, a vast reservoir of vital energy, of LifeForce, and as it was ripening in these years, I had no understanding whatsoever how to tame it. No model and no guide. It seemed to me that most people who surrounded me, were barely alive, just stumbling half-numb through life, no real Juice. I swore even then that I would not be one of them, that I would Live my passion one way or another. Even if it killed me. And that meant, also, that when the Passion turned to Pain and Interminable Self-Reflection, that I would follow those devils into Hell itself in order to discover what they hid.
After a lifetime of Obsessive Astrological exploration, as well as Deep dreamwork and shamanic soul recovery, I have a framework for all of what was taking place within my Soul. But back then, when these words poured out of me incessantly, I had no tether or map. All I had was the religious undertones of what I had absorbed through the normal programming of childhood that seeps in whether one is in an overtly religious household or not, and I judged and condemned myself harshly according to those standards. It seemed I went from one tortured obsession to another. My hyper-fixations usually took the form of people in those days. I craved intimate mirrors to play out the internal archetypal motifs that were swallowing me whole moment by moment. In AstroSpeak, I have a Fifth house Aries Moon...Aries being the sign in which the Martian Vitality and lifeforce and adventure is projected out toward the world and all It can experience and play with and consume and express. It is a cardinal sign, bringing with it Change for the sake of Change. Everything gets old quick. No matter how beautiful or real or pure. My emotional reactions were always tinged with fire and dynamism and impatience and arrogance...as well as childlike innocence and naivete and curiosity. Falling Hard and fast and quick, and getting bored just as easy. Like a toddler. As a 'sort of' counterbalance I have the Sun/Uranus/Asc/Mercury in First house Scorpio, also ruled by Mars (and Pluto in modern Astrology), but with that same fiery volatile Passion and intensity turned inward, but with fixity, to the existential abyss, the subtle psyche, the imaginal realm and the chthonic underworld where all our hidden shadows dwell. I was drawn to the darkness and all things taboo, to all things hidden and hushed. I needed to feel things so deeply and confront life so head on, whether inwardly or outwardly, I was unable to plant my feet on the ground in any solid sense. I never really had any real 'plan' for things, never felt settled in my skin, just riding each wave and crest and then sinking to the bottom in an endless overwhelm. My entire life has been bound up in the question of What on Earth To Do With All This Energy and Passion and Drive to Experience? Destroy myself and Others? Channel it into something divinely inspired? Transmute the raw and unbridled kundalini sexual and creative energy into Art and Alchemy? Aching to Pupate. Always. Always. All Ways.
Not everyone is so fixated on their personal Mythology, but for me, it is my Daimonic Urge and Reason to Be Here This Time Around. It is all coming Full Circle. The Fool Circling Herself Over and Over again......Spinning the toroid and surfing the tides. The churning of the cosmic ocean, with the poles of my moods, and obsessions. Pluto/Venus in the 12th house underLooking all of it, smirking in the background, knowing that the entire Game of Life for me would be this never-ending battle between my unquenchable need and desire to penetrate all things and all people so deeply in the psychic reality that there would be a complete merging of souls and obliteration of the separate Self.........and my unconquerable need and desire for ultimate freedom and sovereignty and manic flights of hyperfixation into whatever new flight of fancy drew my eye and my mind and my fiery soul into its crucible at the time. And Time was so unstable, it tilted and wavered constantly from one extreme to another. It is easy to see this now and to laugh at times at the utter contradiction of my nature in its raw and adolescent attempts at individuating out of the morass of the yeasty culture-d glass of the collective. If I didn't have this huge tome of proof of just how unbalanced I was I might have overwritten those files in my mythology with any number of placations and delusions of sensibility. But alas, I have been leaving myself clues and codes for so long, lifetimes, that I feel my hamster wheel of existence is simply struggling each time to catch up with where I left off....so I can resume the Game. Venus and Pluto's red velvet embrace taunting me on to dive again and again into the poison, attempting to discover the antidote within it. The Fractal nature of Time and Space and The spinning Gyres of our moments and mires, brings us over and over again to the same drama in some different form, some different intensity, some altered frequency of awareness making the reVisiting of Episodes vary in just how destructive or cathartic or world-shaking each anniversary of annihilation is. For me, the whole Scorpio season is rife with peril, but particularly when the transiting Sun each year has navigated through my 12th house and over my Pluto/Venus conjunction, and then straddles my Ascendant in Scorpio. November 1st is the darkest Underworld Period in my private psychomythography. Over and over 'abducted' into the realm of Hades, jerked from Demeter's springtime world of innocence and maidenhood and into the realm of the Dark One. We who follow Stories through Time, though, know that there are alternate versions of the tale. In some, Hades Pluto steals the Kore maiden away, against her wishes, pulled down down down into the depths of the Earth and the Chthonic underground, to be his bride. Tricked and manipulated into eating that dastardly pomegranate, the poor naive Persephone is born anew against her delicate Will, initiated into the mysteries of life and death and sex and birth and death and the psychic reality, raped by the dark lord himself, and held against her will as her poor mourning mother wanders all the lands of the upper world refusing to let anything grow. But there are alternate versions in which Persephone chooses of her own volition to leave her mother's spring-world and to descend inward and deep into the treasure-land of Pluto's psychic wealth. Foregoing her innocence, and stepping into her role as bride of Hades and Queen of the Underworld. I always knew, even during each cyclical 'Rape of Hades' that there was some element that had chosen to go willingly. That had not hesitated with the offering of the pomegranate seeds. 'The red dripping juice, the blood ripping loose, as I lay within it' . My first exposure to Greek Mythology in this incarnation, held me spellbound; And always it was the Story of Persephone and Hades that obsessed me. We know, on some level, which archetypal assortment of ancient and future narratives we have come to spin into some new form and tapestry with our very life-blood and psychic substrate. We know, deep down in the Marrow of Our Bones........what we have come to do. Who we have come to form from the raw clay. We know, when we feel the foreboding of the future, our innocent child and adolescent minds reaching out toward that terrifying abyss and yet clutching to the apron strings of our Mamas, our Demeter, who weeps for the inevitable Loss of their pure maiden. Confrontation with Self is Alluring in all Times and Spaces. Indeed.
I used to think, when younger, that my rendezvous' with Hades were the causal factor in my psychic splitting and fragmenting and my extreme lack of boundaries and fixation on the seductive spirit of the Lust for Life expressed through the only thing I had at my disposal, my body and my heart, and my soul. I now know that I came into this realm with this blueprint, and I have been working on this theme in some form for lifetimes. I swore, on the other side of the Dream, that I would finally integrate all of this. I remember. I remember promising mySelf that I am ready to burst through into an entirely new expression of SpiritAsBody.........a new Form, utterly different, as different as the butterfly and the caterpillar. A transfiguration that cannot happen without letting everything that has ever come before, in all lives and timelines, turn to mush within my Sealed Vessel. I can imagine nothing more painful than the crystallized imprints of all self-idea and frameworks of being, dissolving into an amorphous mass of pure raw material....... and with it the self-inflicted guilts and shame and terror of immortality. I know, because I have gone through the process on fractal levels. And so far, it has been the most painful and humbling thing that I have ever experienced as a human playing at being, a seeminglySeparateSelf, over and over and over again. I have clung to my own narratives and stories and miseries like prized possessions, time after time, during the catabolic process. The eventual release is the closest thing to surrender or bliss I know of. And I descend now, into these psychic gulags that hold trapped fragments of the selves I have been and Am, in this and other realities, not because of any desire to drag the 'past' along behind me like a dead weight....but because I know What It Is To Create From The Compost Of Our Most Intense and Animated and Alive Moments.
I sit now, after editing and going through over 600 poems from a small period of time in which I was both the most Innocent and filled with dreams as I would ever be again, as well as the most tormented and lost and confused and victim to my own impulses and out-of-control Eros as I would ever be. I am listening to a playlist that I remade, from the mixtape my first love gave to me. Back when it was a process of recording patiently onto a cassette tape. The words to the songs are eerily prescient, holding the fractal of what would become the mythology of our magic little world. I almost cannot bear it, feeling all of the things I felt then, so viscerally, and reliving the excitement and the hope and the innocence and yet also the turbulence of my own inner conflicts and clumsy attempts to silence the voice of denial that held me hostage, living in an ivory tower of dissociation from my most recent abduction into Hades realm. And the recognition, the knowing that over and over in my life, my own Nature, my own desperate clinging to the Daimon's Games of Power have led me to hurt other people deeply, people I adored and felt such deep and abiding love and affection for. Over and over again the wheel turns. And I face myself. Just a different set and costumes for the same story. And yet....the knowing....that each decision and each turn of the spiral has led to the next keyhole of destiny. The flesh feels things differently than the mind does. The Body and the Soul can twist in anguish where the mind and spirit simply evaluate from their lofty perch.
I am loathe to admit that I have never really been hurt or left dark and cold by another, at least romantically, despite what my young immature poetry seems to attest to. My abductions have been of betrayal of a different manner. And how often have I cried so loud and so deep and so long, tears that really belong to those who have been left tangled in their own tapestry of pain, by my own actions and desperate restlessness? Even those events in which, to anyone else, I would be considered a 'victim' have never left any real and lasting indelible mark on my consciousness in the same way as having to hold the pain of hurting anOther. In some ways I know that later tortures and entanglements that I drew myself into, were my way of punishing myself for things I have carried for so long. It is We, who whip ourselves and flagellate, for every real or perceived indiscretion or misuse of power or passion. We roll through Other's lives like steam engines, all of us, the same way they roll through ours, and we all leave marks and scars and broken hearts and broken pieces of mechanical parts.....we are mirrors of each other. My whole life I have been trying to shatter the mirrors and free mySelf from my own psychic gulag. There are some fragments of soul that have been trapped inside for Aeons. The River Lethe's waters are refreshing.....
This is the End of the Innocence.
Or is it?
The Eternal Return........Some believe we are forced into this rotating wheel of existence, as a punishment, others as a great trick and trap of the soul by the nefarious overlord who created this matrix simulation. Some believe there is no real point except to be pure enough and good enough and virtuous enough to get off the wheel and stay in the heavenly abode of nirvana and everlasting peace. I have inhabited those lofty and angry reality tunnels. I have been there. As a reaction against my naturally passionate and vital life-force, and my indulgences, I have swung to the opposite extreme. I have been so virtuous and unsullied and pure that I was basically dead. You know the type. So dissociated from their Soul and Body that they really believe they have no anger or desire or Eros......it is all painted white and hung on the wall of the ivory tower up there in the Heavenly Resort where God hangs out with his chosen ones........disgusted with the messy vulgarities of life. Yes, those ones. They have the most life-force in them, I believe, and it so terrifies them, that to acknowledge it and to dance with it and sculpt it consciously is such an overwhelming task, that it is never begun. So the Angelic Choir sings on inside their deluded minds.....while their Body paces like a tiger in a cage, and their Heart fractures piece by piece to keep from exploding into some exuberant display of animal joy at the mere taste of air and of sunlight and of the senses shouting to every other thing in their vicinity that I AM HERE, BY GOD, I AM ALIVE! I have been that starved person. Quite Literally. I started out as the Tiger, and when Lifeforce quickened within me I was on Fire with Life and Love and Laughter and Creativity. In a World where only the Living Dead are allowed to exist. And I tried to shut it off and shut it down and because I could not, I hated myself, and It dripped mercilessly into a pool of dark molasses that clung to every failure and flaw of my pathetic human self and insecurities and lust and self-lies. And then, I would rise again from the dreadful heap of suffering and spring into some new obsession and fixation and feel the well-spring of God in my veins again and rail against any or all who may have had the audacity to try and cage this tiger again. And in Truth...... It was always I, who caged Me. I read now, through my past words, my desperate projections onto Other. I see how this raging fire within was threatening to consume me entirely, and was projected outward on any available mirror, anything that could hold the intensity of my Gaze for just a moment, long enough to rid myself of the demons. The Daimon.
I see, in retrospect, and even at the time I had awareness of it, to be honest, that I was arguing and exclaiming with my own Self in most of my writing.
“We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.” ~W B Yeats
The various competing forces of my psychic configuration hashing it out constantly. We all do it. But some are more sharply defined and more deeply accursed with erratic moods and depth of feeling and empathic undulations that make it impossible to know the difference between self and other, until a long initiation in the fire and the water. And then, perhaps, that curse is turned into a gift. The Innocence. That is why we play this game. Over and over. We will never fore-go it. Ever. How do I know? Because Here We Are. We go through all the tribulations and traumas of building a new infant body and making the journey through the abyss, into an often shocking and tumultuous young existence......all to feel, One More Time, what it is to be so smitten with Life and Possibility and Not-Knowing, that we cave under the weight. We drag Immortality behind us in a tightly tethered sack that we pretend is not there, for the experience of losing the Self in An Other. Of having a chance to Play with New Rules and Discover again, the Ecstasies of Falling in Love for the first time, or of setting out into the Great Beyond to Make A Life For Oneself. The Fools Journey. Full Circle. Circling the Square and Squaring the Circle. While the I divides itSelf in Time. Leaving Space for Ties that Bind Body and Mind. We leave Eternity over and over again Simply to feel the Innocence: we will give up all wisdom , endlessly, to look out thru the eyes of wonder and the unjaded heart that bleeds and beats …. We start out wishing for all the experience and the answers and the knowings, trying to race thru everything and the older we get in these human Characters, the more sure we are, I think, each time, that we will do it all Over again..::all the pain and all the sorrow and all the confusion and all the angst , just to feel that Innocence of Life First Seeing Itself In AnOther’s Eyes. And the wheel turns itself over again. “It was the end of the innocence” William Blake knew. The Songs of Innocence. The Songs of Experience. And there-in Lie We. Somewhere In-Between. Worlds in Collision, Trying To Be.
We come into each others lives as Humans Playing at Being, helping each other See ourSelves differently so we can Be ourSelves differently. Whether we know it intellectually at the time, on some level we know where we are headed in this life. Even when we are still just an acorn, aching to live itSelf out into whatever Oak it can Stand to Be.
🥀{“Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...”
“There are dead ideas and cold beliefs, wrote William James, and then there are hot and live ones. When an idea “grows hot and lives within us,” he believed, everything must recrystallize around it. The exuberant life, bursting as it does with feverish beliefs, is one of constant recrystallization; in this lies much of its value, complexity, and potential danger. That which is most deeply felt is also most powerfully expressed to others. “We cannot write well or truly but what we write with gusto,” said Thoreau. “The body the senses must conspire with the spirit—Expression is the act of the whole man. that our speech may be vascular.” But our beholdenness to passion assures a darker side. Exuberance can veer sharply into disturbing territory. Champagne enchants, but it also intoxicates more quickly than stiller wines: heed glides into heedlessness as effortlessly as the silk chemise drops to the floor. The things that excite contain the capacity for excess and the potential to shame or devastate. Enthusiasm shares a border with fanaticism, and joy with hysteria; exuberance lives in uncomfortable proximity to mania. Exuberance, as Shakespeare wrote of music, “hath such a charm / To make bad good, and good provoke to harm.” Thwarted or deviant enthusiasms, once pro-voked, are powers to reckon with. The fever of passion itself is not the difficulty, argued William James; rather, trouble lies in the nature of the passion and how well it holds up to the light of day. “Surely the fever process as such is not the ground for our disesteem,” he wrote. “For ought we know to the contrary, 103° or 104° Fahrenheit might be a much more favorable temperature for truths to germinate and sprout in, than the more ordinary blood-heat of 97 or 98 degrees. It is the dis-agreeableness itself of the fancies, or their inability to bear the criticisms of the convalescent hour.” Disagreeable fancies are irksome at best and calamitous at worst. Too ardent or misdirected exuberance creates mayhem for the individual and exposes others to the possibility of mishap, if not actual danger. Unchecked, enthusiasm runs roughshod over reason and intrudes into the private emotional territory of others, imposing, as it goes, its own energy and tempo. Exuberance whips its way in, dominant, and forces itself upon those trapped in its eddy. At its best, it is infectious and enlivening; at its worst, it stifles the ideas and feelings of the less exuberant. Not everyone delights in delight, especially if it is not their own, and few wish to have their moods hijacked by those of others. Sustained or nuanced social interactions are difficult in the presence of great exuberance, and indiscriminate enthusiasm hinders the discernment necessary to sort out true friend from possible foe. The lack of fixity creates discomfort and mistrust: the mobility of mind and attachment that is artistically helpful may not prove an asset in other circumstances. Like Brown-ing’s Last Duchess, who had “A Heart how shall I say?—too soon made glad, / Too easily impressed; she liked whate er / She looked on, and her looks went everywhere,” the exuberant are easily engaged. And exuberance is, in its very effusiveness, liable to misconstruction and suspicion, often misinterpreted as sexual interest when none is intended, or as implying a more sustained emotional commitment than is warranted by the high spirits that, however persuasive, may prove to be transient or directed in any number of places. ….. Carter Brown was mindful, however, that not everyone found his energy to their liking (although most who knew him certainly did). His tendency, as he put it, to “lope into others’ pastures” was, he acknowledged, not infrequently experienced as “grating.” Brown, who could no more keep his enthusiasm in check than an otter can keep to the riverbank, believed that his exuberance was an integral part of his leadership of the National Gallery, but he was also aware that it caused envy in some and made others feel over-whelmed. Brown said he tried to slow down his speech and to keep his long arms and hands from waving into the “emotional space” of other people, but that it was an uphill fight. …… Where does exuberance end and mania begin? What is eccentricity, or simply a normal variation in temperament, and when does it tip over into irrational exuberance and psychopathology? We do not know. The edges of mania may be exhilarating, as Clifford Beers relates in A Mind That Found Itself “It seemed as though the refreshing breath of some kind Goddess of Wisdom was being blown gently against the surface of my brain. … So delicate, so crisp and exhilarating was it that words fail me in my attempt to describe it”. … Normal exuberance can escalate into pathological enthusiasm, anger, or even mania. Those who have what Emil Kraepelin called a “manic predisposition” are not only extraverted, cheerful, and overly optimistic, they also possess highly unstable and irritable moods. Indeed, those most inclined to exuberance are often most subject to despair and hopelessness. These dark sides of exuberance both help and hinder: if enthusiasm switches quickly to wrath or is bound too often to impetuous action, many of the dangers we have discussed are made more likely. If melancholy gives a humanizing perspective to exuberance, however, there is less risk of hazardous behavior and shallow thought. As we shall see, a close familiarity with both exuberance and despair may lead to a profound understanding of human nature, as well as an ability to more complexly express it in the arts and sciences. Moderation in strong emotions is not always easily come by. Lucretius observed two thousand years ago that the destructive motions “can never permanently get the upper hand and entomb vitality for evermore. Neither can the generative and augmentative motions permanently safeguard what they have created. …. There was, he said, “a sort of uncommon celerity in changing expression, in thought and speech.” His legendary restlessness was summed up most graphically by Henry Adams, who said that Stevenson “seems never to rest, but perches like a parrot on every available projection, jumping trom one to another, and talking incessantly.” Keeping to his bird analogy, but switching species, Adams wrote to another friend that Stevenson looked like “an insane stork, very warm and very restless.” An acquaintance of Stevenson’s in Samoa concurred: “He was as active and restless as if his veins had been filled with quicksilver.” W. E. Henley wrote of Stevenson that he was as “mutable as the sea,/ The brown eyes radiant with vivacity…/ A spirit intense and rare, with trace on trace/ Of passion, impudence, and energy.” Another friend said that “there were two Stevensons … this strange dual personality… I have seen him in all moods… chatting away in the calmest manner possible; and I have seen him become suddenly agitated, jump from that table and stalk to and fro across the floor like some wild forest animal … his face would glow and his eyes would flash, darkening, lighting, scintillating, hypnotising you with their brilliance and the burning fires within.” Stevenson had, in short, a febrile temperament. …. The intensity and variability of Stevenson’s moods-his not infrequent black depressions and his contrasting exuberance— certainly contributed to his understanding of the underbelly of delight. His temperament was peculiarly tuned to not only the darker side of human nature and its ready accessibility but to a firsthand knowledge of man’s multiplicity of selves. Stevenson’s own fluctuating and wildly disparate moods made him especially sensitive to the ambiguities, shadings, and inconsistencies of human enthusiasms and, indeed, of life itself. “It is in vain to seek for consistency or expect clear and stable views,” he wrote. “In this flux of things, our identity itself seems in a perpetual variation…. All our attributes are modified or changed; and it will be a poor account of us if our views do not modify and change in a proportion.” Stevenson’s close knowledge of dark and inconstant moods inevitably influenced his work. It provided him a keen sensitivity to mood states of all kinds, and enhanced his genius for portraying their nuances. It also gave him a hard appreciation for the seductiveness of uninhibited states of mind. Stevenson’s intimate acquaintance with contrary and unpredictable moods did not account for all, or even perhaps most, of his perspective on life. But to underestimate it is to underestimate Stevenson himself; it is, as well, to underestimate the raw, knowing, and deeply human power of his greatest writings. …. The juxtaposition of the exuberant and the malignant is potentially dangerous, but a balance between the two can provide ballast and gravitas. Excessive lightness can be given a grace note by the dark, as melancholy and mania can give each other depth and height. To make use of despair is an ancient gift of the artist: to learn from pain; to temper the frenzied enthusiasm; to rein in the scatter, the rank confidence, and the expansive ideas generated during times of unchecked exuberance. Melancholy has a way of winding in the high-flying expectations that are the great gift of exuberance but its liability as well; it forces a different kind of look-ing. “In these flashing revelations of grief”s wonderful fire,” wrote Melville, “we see all things as they are; and though, when the electric element is gone, the shadows once more descend, and the false outlines of objects again return; yet not with their former power to deceive.” Melancholy forces a slower pace, makes denial a less plausible enterprise, and constructs a ceiling of reality over sky-borne ideas. It thrusts death into the mental theater and sees to it that the salient past will be preserved. Exuberant ideas benefit from skepticism and leadshot. Whether the ballast comes from melancholy, from law or social sanction, from an astringent intellect or the incredulity of others, discipline and qualm are conducive to getting the best yield from high mood and energy.”
{selections from Kay Redfield Jamison, ‘Exuberance’}
One more project that at some point will come to fruition. Started many years ago. A collage journey thru every single pregnancy dream from my entire gestation period with oisin. Almost every single night there is at least one dream and sometimes a handful. An entire subconscious multidimensional record of my Psyches Hourney through vast restructuring and opening and wonder and transformation.
Now that I have archived almost thru the year 2015 of dream journals into my computer, and should soon be completed with that enormous project, it will be much easier to arrange and print text. The journal entries from April 2005-February 2006 are immense and have a flavor entirely their own: including dreams of a ‘little blonde boy’ who turned out to be my son 🙂
It’s called ‘ the nervous system is wired differently’ and likely compounded with trauma and suffocating in a ‘system’ designed to stifle. I like to use astrological terms, but whatever the words you use, there are absolutely differences in the way people process information and stimuli and hence how they experience daily life.
Aurobindo would consider it an evolving stage of the supramental body, astrology would call it
‘ heavy Mercury and Uranus aspects speeding up the electrical field along with Pluto creating hyper focus and mars stimulation seeking novelty and new sensory input. Whatever way you choose to speak about it, there are vast differences in how one experiences reality, and by medicating and stifling and pathologizing it, the ‘system’ is attempting to subdue an evolutionary imperative and divert its creative gifts. In every group, even in animals, some are born to maintain the status quo and keep the group stable and safe and maintinging boundaries, while a small
Amount exist to push those boundaries and use the innate curiosity and novelty seeking to engage differently and thus keep the group moving in bounds towards new developments.
And there are all shades in between. Without them all, any species or group would fail utterly.
Especially herd animals.
As a person whose neurological wiring is as described above, and who was and is incapable of existing within the parameters of
‘mainstream society’ in the typical fashion….I thank all the Daimons and sprites and generous souls who have helped me to carve out my own life in a functional way so l can use my gifts and thrive instead of flail. If it weren’t for the very stable and solid and calm friendships who are and have been my rocks thru the years l’d be in a very different place indeed. Blessed beyond measure. The price the individual who is sped up and operating in multidimensional thought waves constantly pays for that nervous system is dear, if one expects ‘peace’ or
‘calm’ from life. But nature knows what she is doing, in pairing the frenzied, manic, exuberant soul with those whom they can inspire and activate and excite and keep fresh, whilst at the same time giving that person those whose calm and gentle and stable presences can help to keep the world from spinning completely out of control. In my experience, the profoundness of being Seen Fully and yet Accepted Completely, has led to a complete re-birth after nervous breakdown and utter dysregulation for many years: what a blessing to see and appreciate all the diverse ways this Universe Plays with Being, Through Us.
“In the context of astrology and alchemy, mercury is the “womb of all metals,” meaning that it serves as both an entry point of spiritual influences and a receptive metal (quicksilver) for transformation. As a god, Mercury makes vitally important connections between worlds and does so on all levels of reality. On the human plane, he works his magic through the skillful use of words. This is not ordinary word play, but eloquence that reveals the deepest meaning of thought. Mercury enjoys that intermediary space between image and symbol, the place where words have not yet been connected to internal thoughts and external senses. The point of this interaction is the ongoing creation, where unconsciousness is made conscious.
This flow of creation erupts into spoken language ,and Mercury is there, alongside King Neptune, to make sure that the spirit has found its way into the world. Hermeneutics, the art of translation, takes its name from one of Mercury’s many images,Hermes.All astute interpreters are well advised to pay homage to Mercury. He is god of language and the one who mediates the transactions between foolishness and wisdom. Winged Mercury hovers about the borderlands of reality. Wherever opposite sides are taken, he is there to mediate the transaction. Should he spy a pocket of inactivity, he can be counted on to stir things up by creating the necessary tension needed to bring conflict as well as resolution. Thus we find Mercury mixing it up with chemicals, between people at the bargaining table, and flying between planets and metals. He is a shape-shifter, a divine thief and above all else, a spirit of the highest order. Mercury delights us with surprise and upsets us with shocking news. If we do not understand his divine function, we will be the butt of his jokes. Understanding that he serves to awaken us to connections we would never have otherwise made is the secret to using his gifts well.
People having a strong mercurial disposition are quick minded, talkative, eloquent and highly expressive. They grasp what other people mean to say even before the words arespoken.Mercury types can therefore adopt the masculine and feminine aspects of either sexed person, blending these differences into perfect harmony. This potential to fuse, blend and harmonize opposites is so prevalent in Mercury that he was believed to be the personification of the philosopher’s stone. “
🌹 “This time of year my thoughts always return to the rites of Kore. I might be coping with the world folding in on itself, and the similar changes I experience within my own inner world, or it may just be an inherent fascination with etiological myth, to say nothing of the powerful duality of delicate springtime maiden and Queen of the Underworld within one goddess.
Her more widely known name, Persephone, means “bringer of death,” in the sense that her deft but gentle hand is a comfort and a guide to those making their descent. In this way, and as the goddess of the Eleusinian mysteries, she herself is the door to worlds unknown, a portal to revelations. Among her other epithets in Homer and among cults (Euripides calls her arrētos, “she who none may name,” Homer calls her agauē and hagnē, “venerable” and “demanding respect”). Persephone is her name as mistress of the house of Hades. In these rites, she is often referred to as Kore, which means, simply, “maiden.” “
~Sara Long
🌹
Reese Miller as the Kore , (or Jester Maiden) before being Taken by hades to the Underworld to become his Jester Queen
The Kore archetype, traditionally representing youthful innocence and potential in mythology and psychology, symbolizes much more than just the early stages of life. It is a powerful symbol of transformation, growth, and the cyclical nature of existence. The Kore, as a maiden figure often associated with goddesses like Persephone in Greek mythology, also carries deeper meanings about the illusions tied to youth, time, and identity. By examining the symbolism of the Kore, we can explore the larger themes of human experience—innocence, growth, and the journey from one phase of life to another. ~ Jenna LillaThe Kore is often depicted as a young maiden, symbolizing the freshness and purity of youth. This stage of life is marked by innocence, untested potential, and an open future. In mythology, the Kore is often paired with the figure of the mother, as seen in the myth of Demeter and Persephone. Kore, in this case, represents Persephone in her youthful form before her descent into the underworld, where she transforms into the queen of the dead. This dual role of the Kore—both innocent maiden and future queen—symbolizes the unfolding of life from youth to maturity. While the Kore is a symbol of growth and transformation, this very cycle also highlights the transitory nature of life. Youth, while often idealized as a time of beauty, vitality, and potential, is fleeting. The attachment to youth and the fear of aging reflect deeper psychological and spiritual challenges. Just as the Kore will eventually transform, we, too, are called to move beyond the illusions of youth and embrace the full journey of life. ~Jenna LillaThe Kore’s association with youth also raises questions about how we perceive time and change. The concept of youth, as something idealized or feared, is tied to the larger illusion of time itself. We often become attached to the idea of youth as a period of innocence and purity, but this attachment can lead to a sense of loss as we grow older. The fear of aging, or the desire to remain forever young, is an illusion created by the mind, which clings to temporary states of being. ~Jenna LillaIn reality, the essence of life is timeless and not bound by the cycles of youth and age. The Kore archetype reminds us that while we pass through different stages of life, these stages are just phases in a larger continuum. The true nature of our being—our consciousness or essence—remains unchanged, even as our bodies age and our experiences shift. The Kore, therefore, symbolizes the movement through these stages, but also serves as a reminder that beneath these changing forms, there is something timeless and unchanging.~Jenna LillaOne of the central themes of the Kore archetype is the journey from innocence to wisdom. In many myths, this journey involves a descent into the unknown, a confrontation with darker, more challenging forces. In the case of Persephone, her abduction by Hades and subsequent time spent in the underworld represent the loss of innocence and the gaining of wisdom. This is not just a story about personal growth but about the necessary transitions that all individuals must undergo to attain greater understanding. In this context, the Kore symbolizes the tension between innocence and experience, youth and maturity. While youth is often seen as a time of unblemished potential, true wisdom comes through the trials and challenges of life. However, both innocence and wisdom are part of the same journey. The duality between these states—between youth and age, innocence and wisdom—reflects the deeper truth that growth and transformation are part of the natural order of life. ~Jenna LillaThe Kore archetype also speaks to the cyclical nature of life, where birth, growth, decay, and renewal are intertwined. In many cultures, the Kore is connected to the cycles of the seasons, particularly in the myth of Persephone, whose descent and return from the underworld are linked to the changing of the seasons. Her time in the underworld represents winter and death, while her return to the surface symbolizes spring and rebirth. This cyclical pattern serves as a reminder that life is not linear but is made up of repeated cycles of growth and transformation. The Kore’s journey from maidenhood to queenhood, from innocence to wisdom, is not a one-time event but part of a continuous process of renewal. Just as nature moves through its seasons, so too do we pass through different phases of life, each phase offering its own lessons and opportunities for growth. ~Jenna LillaWhile the Kore represents the cycles of life, she also invites us to transcend the illusions of duality that often accompany these cycles. The distinction between youth and age, innocence and experience, can create a sense of separation, making us believe that these stages of life are opposites. However, the Kore archetype teaches that these are not separate states but are interconnected parts of a whole. ~Jenna LillaIn the myth of Persephone, her role as both Kore (the maiden) and queen of the underworld shows that youth and maturity are two sides of the same coin. The cycle of life encompasses both light and dark, innocence and wisdom. By embracing both aspects of ourselves—the youthful, innocent part and the mature, wise part—we can move beyond the illusions of duality and experience a more integrated, whole sense of self. ~Jenna LillaUltimately, the Kore archetype symbolizes the potential for growth, transformation, and renewal. She represents the beginning of a journey, but also the deeper truth that all stages of life are interconnected. The youthful innocence of the Kore is not something to cling to, but something to honor as part of the larger process of becoming. Her story is one of continuous transformation, reminding us that life is a series of cycles that lead us toward greater understanding and wisdom. ~Jenna LillaBy reflecting on the Kore, we are reminded that the passage of time, the movement from youth to age, is not something to fear but something to embrace. Each phase of life brings its own gifts, and by accepting the flow of time, we can experience life more fully. The Kore symbolizes the beauty of this unfolding journey, encouraging us to embrace both the innocence of youth and the wisdom that comes with experience. Jenna Lilla
‘Voluptas lies curled in the womb of Psyche’….. Old painting of mine from 2009)
“The Poison is the cure”
Let me say it again: the result is not merely the objectification of subjective "me-ness," but the objectification of its material basis. This has been dissolved, calcined, tortured, putrefied, and distilled to a clarity that can be completely seen through, as if it were not there at all, not a speck of literalism remains, not even spiritual literalism. The libidinal compulsion, the organic towardness of hope and desire that would always go further for a faraway grail, turns around on itself and dissolves itself. The snake eats its own tail-another goal image of deconstructive subversion. The snake of healing, transformation, and rebirth, the goals most dearly desired, and the artifex's obedient service, all dry to dust, mineralized. The uroboric motion poisons (iosis) the very idea of cure. Or, poison is the cure.
What is actually accomplished by the alchemical work? According to my psychological fantasies, it is the objectification of the libido-our lives are not our lives. The alchemical goal is the realization in its complete sense of Freud's "object libido," The libido as a cosmic erotic dynamic that permeates the world because it loves the world of matter, even though it has been caught in the personal delusions of subjectivity, so that we believe we love the world, or can be improved or instructed to love the world. Whereas it is the object libido that loves the world through us, despite us. The anima in chains in the matter of "me, " and we place it there each time as we ask psychologically, what is the matter with me? Alchemy answers, saying: you, I, everyone, the world is matter, elemental material, and we indulge in the materials, as the artifex in the laboratory, all along believing that you are working on you, your life, your relations, your processes until the day dawns, aurora. You awaken within the idea of the goal, the goal not somewhere else out there calling for attainment, but you are within the idea. But because the mind is still trapped in me-ness, we shamelessly assert that the idea is in me when your mind is in the idea. You awaken to the recognition that you are already in that stone, mineralized, stoned out of your mind.
If my reading is on track and the telos or "that for the sake of which" is the de-subjectification of the object libido, then we are obliged to imagine resurrection from this vantage point, which hardly conforms with a Christian reading of either alchemy or resurrection. For now resurrection would indicate not the confirmation throughout eternity of the personal subject and its body saved from the world and the devil of its flesh but rather the resurrection of the body of the world with an idea to its eternity. Not the lifting, the Aufhebung, of material worldliness but the full realization of desire for a world that pulsates in the materials of the elemental psyche, those substances that compose the stone and give it its enduring life, a realization that the world itself speaks through the desire in the materials; that desire is the language of the world, that the libido of each individual human is indeed a cosmic force, an eros or object libido which yearns toward and enjoys this world. And we who labor in the garden as if it were a stony ground would find our individual resurrection in attachment to our materials, which are the world's body, this body becoming a jardin des délices, the objectification of pleasure.
Object libido finds its pleasure in the other, the object, the world as a body. This dry term "object libido" calls for a moistened language. Terms such as cosmogonic eros, desire, jouissance, or unus mundus cannot do justice to what is implied. Libido brings with it the aura of pleasure and the Aphroditic world of the senses. Did not Plotinus attribute to Plato the idea that the soul is always an Aphrodite, which suggests that we cannot adequately speak of the libidinal soul without shifting immediately to an Aphroditic language? Then we would imagine that this libidinal drive throughout the whole opus of soul-making and its increasing love has as its goal a resurrection in beauty and pleasure, and we would realize that even such terms as opus and operatio are work-words which distort the libido's nature. The Christianization of alchemy nonetheless retains the Aphroditic vision in the images it presents. She is the Golden One, the pearl is her jewel; the rose, her flower; the bath and the copulations in the bath of the Rosarium, her liquid territory. The translation of sensate images into spiritual value, as if a lifting improvement to the higher realm of Aphrodite Urania, succeeds only in losing the very sensate attraction of the goal as a pleasurable pull toward beauty. Hence Ficino, Valla, and other Renaissance Platonists insisted that Voluptas is nearer to the life of the spirit than the middle region or mediocrity of ataraxic rationality. Voluptas, according to Apuleius, lies curled in the womb of Psyche and comes to birth only after all psychological effort is passed.